![]() When Scrubby Zoom is selected in the options bar, just drag the Zoom tool to the left to zoom out or to the right to zoom in. With any tool selected, press Ctrl (Windows) or Command (macOS) with the plus sign (+) to zoom in, or with the minus sign (-) to zoom out.ĭouble-click the Zoom tool in the Tools panel to return the image to 100% view. Here are several keyboard shortcuts that make zooming faster and easier. Often when editing an image, you’ll need to zoom in to work on a detail and then zoom out again to see the changes in context. Julieanne Kost is an official Adobe Photoshop evangelist. ![]() For example, if you’ve already created a selection with another tool such as Color Range, leave that selection active, and then click Select > Select And Mask in the options bar to clean up the mask. You don’t have to do all of your selecting inside Select And Mask. Do not drag the Refine Edge brush over areas that should be fully revealed or fully masked. To improve the mask along edges containing complex transitions such as hair, drag the Refine Edge Brush along those edges. ![]() Instead of having to switch between Add and Subtract modes with the toolbar, you can leave a tool in Add mode, and when you want to temporarily use the tool in Subtract mode, hold down the Alt (Windows) or Option (macOS) key. These also have an Add mode for marking revealed areas and a Subtract mode for marking masked areas. To paint or draw solid mask edges manually (without using any automatic edge detection), use the Brush, Lasso, or Polygonal Lasso tool. Don’t drag it on or over a mask edge keep it fully inside (in Add mode) or outside (in Subtract mode) the areas that should be revealed. As you drag it, it uses edge detection technology to find mask edges automatically. The Quick Selection tool is useful for rapidly touching up a selection produced by Select Subject or for creating an initial selection. The Select Subject button can be a fast way to create an initial selection. When using Select And Mask, it’s important to use different tools for image areas that should be fully revealed, for areas that should be fully masked, and for partially masked edges (such as fuzzy dog hair). GETTING BETTER AND FASTER RESULTS WITH SELECT AND MASK In the options bar, set up a brush with a size of 15 px. Make sure the Quick Selection tool ( ) is selected. You can easily add them to the selection using the Quick Selection tool. Notice that there are a few areas over the chest that were missed by Select Subject. If you want to compare the two results, choose Edit > Toggle Last State to switch between them.Ĭlick the View menu in the View Mode section of the Properties panel, and choose Overlay to better compare the edge to the actual image. Object Aware may work better on more complex backgrounds. Color Aware can work well on simple backgrounds like the one in this lesson. The two Refine Modes interpret potential subject edges differently. ![]() In the Properties panel, expand the Refine Mode if needed, and click Color Aware. This View Mode helps make the mask edge easier to see. Also, it’s OK to use Select Subject first and then enter Select And Mask to refine the selection.Ĭlick the View menu in the View Mode section of the Properties panel, and choose Black & White. It’s available even when a selection tool is not active. You don’t have to be in the Select And Mask dialog box to use the Select > Subject command. ![]()
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